Tuesday, August 15, 2006

Anushthan-Janmashtami

Dear readers,

Today is Janmashtami, the birthday of Krishna, the saviour in the dark ages of Kali Yuga.

Women have played a very important role in Krishna's life, be it his two mothers or his sixteen thousand wives.

This article is a tribute to Krishna and the women in his life.

The Primary Women in Krishna’s Life

1) Devaki (Image here)
2) Yashoda (Image here)
3) Radha (Image here)

4) Draupadi (Image here)
5) Subhadra (Image here)
6) Rukmini (Image here)
7) Satyabhama (Image here)
8) Mira (Image here)

Devaki:
The mother who gave birth to Krishna, who felt the grief of her children being killed one after another infront of her eyes is indeed the chosen one from whose womb Krishna took birth. She and her husband (Vasudeva) gave the reason to Krishna to kill evil Kamsa.

Devaki is the wife of
Vasudeva and mother of Krishna and Balarama. She was the daughter of Devaka, the younger brother of King Ugrasena of Mathura. Devaki and Vasudeva were imprisoned by her cousin, Kamsa, due to a prophecy that one of their sons would kill him. Kamsa then killed six of their sons. The seventh, Balarama, escaped death by being transferred to the womb of another woman, while a female child (an incarnation of the goddess Yoga-Nidra or Maya) was placed in Devaki's womb. The eighth son, Krishna (who was actually an avatar of Vishnu), was born at midnight and taken by Vasudeva to be raised by Nanda and Yasoda in the neighboring village of Gokul. It was believed that Krishna was born not from a sexual connection between Devaki and Vasudeva, but was transferred to Devaki's womb. After he realised that Krishna had escaped alive, Kamsa released Devaki and Vasudeva, and they lived in Mathura. Vasudeva and his second wife Rohini had a daughter Subhadra, who married Arjuna and was the mother of Abhimanyu. Afterwards, they moved to Dwaraka with the rest of Mathura's population.

Yashoda:
Being a biological mother is one thing but to bring up a child, nourish him/her with caring and affection and then letting that child go later in life for his/her duty needs a very strong heart. She too has seen a lot of pain in her life but is more associated with Krishna as a child than Devaki.

Yasoda was wife of
Nanda and foster-mother of, Krishna, who, according to the story was given to them by Vasudeva.
Yasoda also played an important role in the upbrinding of Krishna,
Balarama (the son of Rohini) and their sister Subhadra.

Radha:
Pages will fall short to write about this lady. Her self-less love and passion is an example for humanity. Radha has seen tremendous pain in her Earthly-life.

Radha the Gopi in Vaishnava traditions
In the
Vaishnava devotional or bhakti traditions of Hinduism that focus on Krishna, Radha is Krishna's consort. For some of the adherents of these traditions, Her importance approaches or even exceeds that of Krishna. She is considered His adi (original) shakti, the Supreme Goddess (feminine aspect or power of God). Other gopis are usually considered to be her maidservants, with Radharani having the prominent position of Krishna's favour.
Her connection to Krishna is of two types: svakiya-rasa (married relationship) and parakiya-rasa (a relationship signified with eternal love). However, according to tradition Radha is never officially married to Krishna, because the Vedas do not inform us about whether Krishna marries in Vrndavana (although some stories do hint at a hidden ceremony), but He does so later in life in Dwaraka with Rukmini and His other Queens.
Rukmini is known to be in the svakiya rasa and Radha in vraja-bhava-dasya rasa, which means that Radha's love for Krishna is in separation. The love the gopis feel for Krishna is primarily in separation (as oppossed to in union) and not within marriage. The love of the Gopis for Krishna is described to be of an esoteric nature on the platform of spontaneous love of God (not of a mundane sexual nature).

Birth & Religious significance
Radharani was born in Rawal, a village about 8 kilometeres from
Vrindavan, near present day New Delhi in India. There are a number of accounts of her parentage. According to one of the common ones, her father is the leader (sometimes regarded as king) of cowherds called Vrishabhanu, and her mother is called Kamalavati, or Kirtida.
One of her names, Hara (mentioned in Narada-pancaratra 5.5.59), in vocative Hare, forms a part of the
Hare Krishna 'Maha-Mantra', one of the most popular Vedic mantras, especially amongst Gaudiya Vaishnavas. Radharani's names hold a place of prime importance within Gaudiya Vaishnava religious practices, thus Her name is mentioned first in the maha-mantra before that of Krishna's. Her worship is especially prominent in Vrindavan, the place where Krishna is said to have lived over 5000 years ago. Wherin Her importance surpasses even the importance of Krishna. Radha's love for Krishna is held within Gaudiya Vaishnavism as the most perfect primarily because of its endless and unconditional nature. Thus she is the most important consort of Krishna, 'His heart and soul', and His 'hladini-shakti' (spiritual pleasure potency).
In the Brihad-Gautamiya Tantra, Radharani is described as follows: "The transcendental
goddess Srimati Radharani is the direct counterpart of Lord Sri Krishna. She is the central figure for all the goddesses of fortune. She possesses all the attractiveness to attract the all-attractive Personality of Godhead. She is the primeval internal potency of the Lord."

Caitanya Mahaprabhu
The famous Bengali saint Caitanya Mahaprabhu (1486 - 1534) is believed by many (see especially the modern-day
ISKCON movement) to be an incarnation of both Srimati Radharani and Krishna in one simultaneous form. Throughout his life, Caitanya lived as a devout devotee of Vaishnava tradition, but is said to have revealed His inner form to some of his closer associates.

Draupadi:
The daughter of the fierce maharaja Drupad, sister to the formidable
Dhristadyumna, wife to the unparralleled Pandavas, mother to valourous children, the princess of Panchal and the putra-badhu (daughter-in-law) to the Chandra vamsi raj parivar (dynasty) of Hastinapur and yet when her modesty was put at stake, her self-respect challenged in the open court-room of warriors- not a single soul came to her rescue and she shouted out to Krishna, the only friend she could trust on and it was only Krishna who with his maya protected Draupadi's modesty. Draupadi has seen tremendous pain too in her life.

In the epic
Mahabharata, Draupadi is the daughter of King Drupada, and becomes the wife of the five Pandavas. When Yudhisthira becomes the king of Hastinapura, Indraprastha and the Emperor of India at the end of the war, Draupadi again becomes Queen.

Birth
Draupadi and her brother
Dhristadyumna emerged together from a sacrificial fire that the king had lit to gain a means of revenge on Drona, to whom he had lost half his kingdom.
Drupad had prayed for a son, but Draupadi emerged as well. When she did, a divine voice said she would be the reason for the destruction of the
Kauravas. When Draupadi grew to be a young woman she was considered very beautiful, mainly for her glowing dark skin, large dark eyes and graceful figure.
It is believed that Goddess
Kali had given a part of her powers to her, for the destruction of the Kauravas. As Drupada was the ruler of the kingdom of Panchala, Draupadi was also known as Paanchali. She was named by Brahmanas as "Krsnā" due to her radiant dusky skin {the Lord Krishna was also dark-skinned) and is very often referred to and addressed by this name in the Mahabharata.


Marriage to the Pandavas
While in exile,
Kunti, mother of the Pandavas often advised her sons that they share everything they have (or obtain) equally amongst themselves. During that time, Arjuna attended Draupadi's swayamvara and won her hand in marriage. When he returned, he triumphantly declared "Look mother, what I have brought!". Kunti, unmindful of what Arjuna was referring to, unassumingly asked her son to share whatever it is with his brothers. Thus, in order to obey their mother's order all five accepted Draupadi as their wife.
According to another source, when Sage
Vyasa visits the family, he explains to Draupadi that her unique position as the wife of five brothers results from a certain incident in her previous birth. She had in that lifetime prayed to Lord Shiva to grant her a husband with five desired qualities. Lord Shiva, pleased with her devotion, tells her that it is very difficult to get a husband with all five qualities that she desired. But she sticks to her ground and asks for the same. Then Lord Shiva grants her wish saying that she would get the same in her next birth. Hence she gets married to five brothers each who represents a given quality.

Draupadi's Cheer-Haran
Draupadi’s Cheer-Haran, literally meaning stripping of one’s clothes, marks a definitive moment in the story of
Mahabharata. It is the central reason of the Mahabharata war, the rivalry between Pandavas and Kauravas being the more general cause.
Yudhishthira and his four brothers were the rulers of
Indraprastha under the sovereignty of Emperor Dhritarashtra. Dhritarashtra’s son Duryodhana who resided in the capital of the empire Hastinapur was always jealous of his cousins. Together with his brothers, his friend Karna and maternal uncle Shakuni, he conspired to call Pandavas at Hastinapur and win their kingdoms in a game of gambling. Shakuni was an inveterate gambler and very skilled at winning by unfair means. The idea was that Shakuni will play against Yudhishthira and win at the gambling table what was impossible to win at the battlefield.
As the game proceeded, Yudhishthira lost all his wealth and kingdom one by one. Having lost all material wealth, he went on to put his brothers at stake one by one and lost them too. Ultimately he put himself at stake, and lost again. All the Pandavas were now the slaves of Kauravas. But for the villain Shakuni, the humiliation of Pandavas was not complete. He plods Yudhishthira that he has not lost everything yet. Yudhishthira still has Draupadi with him and if he wishes he can win everything back by putting Draupadi at stake. Yudhishthira walks into the trap and to the horror of everybody present, puts Draupadi as a bet for the next round. Shakuni rolls the dice and gleefully shouts “Look, I have won”.
Duryodhana commands his younger brother
Dushasana to forcefully bring her into the forum. Dushasana barges into the living quarters of Draupadi who had just finished her bath and was drying her loose hair. Dushasan grabs her by the hair and brings her into the court dragging her by the hair. Unable to withstand the distress of his wife, an emotional Bhima even threatens to burn up Yudhishthira’s hands with which he placed Draupadi on stake. Arjuna pacifies him.
Now in an emotional appeal to the elders present in the forum, Draupadi repeatedly questions the legality of the right of Yudhishthira to place her at stake when he himself had lost his freedom and as a consequence did not possess any property in the first place. Everybody remain dumbfounded.
Bhishma, the patriarch of the Kaurava family and a formidable warrior has only this lame explanation to offer to Draupadi - “The course of morality is subtle and even the illustrious wise in this world fail to always understand it”.
Kauravas now command Pandavas to strip themselves in the manner of slaves. Pandavas obey by stripping off their upper garments. Then Kauravas demand the same from Draupadi, who remains crying in her hour of test. Then to the horror of everybody present, Dushasana proceeds to strip Draupadi off her
sari. Seeing her husbands unable or unwilling to help her, Draupadi prays to Lord Krishna to protect her modesty. Lord Krishna now works a miracle so that as Dushasana unwraps layers and layers of her sari, her sari keeps getting extended. Seeing Draupadi being violated so brazenly, Bhima in a roaring rage, vows to tear open Dushasana’s breast one day and drink his blood. Finally a tired Dushasana backs off without being able to strip Draupadi.

Duryodhana repeatedly challenges Yudhishthira’s four brothers to disassociate themselves from Yudhishthira’s authority and take their wife back. No one dares to denounce their loyalty to their eldest brother. In order to provoke the Pandavas further, Duryodhana bares and pats his thigh looking into Draupadi’s eyes, implying her to sit on his thigh. In impotent rage Bhima vows in front of the entire assembly that one day he will break that very thigh of Duryodhan in a battle.
Finally, the blind monarch Dhritarashtra's conscience is stirred, in part fearing the wrath of Pandavas against his sons. He intervenes and asks Draupadi to wish for whatever she desires. Draupadi asks her husbands the Pandavas to be freed from slavery. Dhritarashtra grants her wish and also restores to Pandavas all they lost in the game of dice. Free from the bondage Bhima, hotheaded as ever, immediately proposes to his brothers to slay all Kauravas present then and there itself. Yudhishthira and Arjuna prevent him from taking any rash action. After many words of reconciliation between Pandavas and Dhritarashtra, Pandavas withdraw to their kingdom along with Draupadi and their entourage.
Shakuni, Karna and Duryodhan later convince Dhritarashtra to invite Pandavas for a new game of dice, with modified rules. It was following the defeat in this new game that Pandavas were sent into exile.
Draupadi’s Cheer-Haran remains one of the most hotly debated passages from the Mahabharata. What was originally meant to show the virtuousness of Pandavas (who remained firm in their observance of pledge of servitude to Kauravas by not resorting to violence even in the face of gravest insult possible), has in the modern India come to showcase an example of Pandavas’ male chauvinistic attitudes (because they treated Draupadi as their property by putting her at gambling stake) and their strange prioritizing of virtues (Do pledges really matter more than the honor and safety of one’s family?). That the elders like
Bhishma, Drona, Vidura and Dhritarashtra remained silent spectators of the entire episode adds valuable insight to their personalities too. In any case the passage must be seen in the light of the mores of the times of its writing which lay a few millennia ago.

Devotion to Krishna
When Draupadi's father, the King of
Panchala began to look for a suitable match for Draupadi the first man to come to his mind was Krishna. Upon his arrival, Krishna meets Draupadi and is very pleased with her but as soon as he finds out that she is also referred to as "Krishna" he says "how can we be married if we have the same name?" Since Krishna is believed to have thousands of wives he asks Draupadi "do you really just want to be another wife?" Since they shared the same name Krishna explains that they must have some type of divine connection. At that time he pledges his friendship to Draupadi and vows to show the world the greatest example of friendship. This is quite possibly why Krishna helps Draupadi when the Pandavas lose her in a gamble.
Krishna calls Draupadi his sakhi, or friend. She is a total devotee, and another story says the reason he helps Draupadi is that she prayed with utmost devotion. Plus, when Krishna had cut his finger on the Sudarshan Chakra she had bound it with her Sari.
Also, Krishna is the one who opposes her marriage to Karna and promotes her marriage to Arjuna (when people oppose it because he is disguised as a Brahmin.
Draupadi is an the exemplification of
bhakti to God. She showed utmost faith to Lord Krishna

Subhadra:
Half-sister to Krishna, many consider her to be a part of shakti incarnate. The greatest sorrow she has seen in life is perhaps the unjust murder of her son Abhimanyu in Kurukshetra.

Subhadra is an important character in the
Mahabharata, a Hindu epic. She is the half-sister of Krishna, wife of Arjuna, third of the Pandava brothers, and mother of Abhimanyu.

Biography
Subhadra is the only daughter of
Vasudeva, born to him by his wife Rohini Devi. She is born after the release of her father from prison by Krishna, and is thus much younger than both her brothers. Subhadra therefore grows up in comfort as the princess, and escapes the travails that haunted her family before her birth.

Arjuna, the Pandava, once spends 12 years in exile for breaking a vow. He spends the last portion of this exile in
Dwaraka, at the residence of his cousins Krishna, Balarama and Subhadra. They are his cousins because their father, Vasudeva, was the brother of Arjuna's mother Kunti. During his sojourn at Dwaraka, a romance ensues between Arjuna and Subhadra. This matter was abetted by Krishna, who had always been particularly attached to Arjuna, and wished nothing but the best for his sister Subhadra.
As the period of Arjuna's exile draws to a close, and his departure homeward becomes imminent, Arjuna proposes marriage to his cousin, and she acquiesces. Knowing that the entire family would view with disfavour the prospect of Subhadra becoming the fourth wife of her much-married cousin Arjuna, Krishna facilitates the elopement of the couple and their departure for
Indraprastha. He gives the couple a crucial piece of advise related to their elopement: it was Subhadra, and not Arjuna, who drove the chariot away from Dwaraka and towards Indraprastha. Krishna later uses this fact to persuade his family that Subhadra had not been abducted; on the contrary, it was she who had kidnapped Arjuna!!
Subhadra and Arjuna soon have a son, the valiant
Abhimanyu. Not long afterwards, the celebrated game of dice ensues between the Pandavas and the Kauravas. The Pandavas leave Indraprastha to spend 13 years in exile. It is decided that Subhadra and her infant son must spend the period of exile in Dwaraka, so that Abhimanyu may profit from receiving Krishna's tutelage and gain a suitable education, that would prepare him for the struggles and responsibilities that he, Abhimanyu, is expected to bear in later life.
At the end of the period of exile, Arjuna sends for his wife and son. Abhimanyu is wed to
Uttara, daughter of king Virata. To Subhadra's great grief, the young Abhimanyu is killed during the Kurukshetra war which ensues soon afterwards. Uttara is pregnant at that time and is later delivered of a son, who is named Parikshita.
Parikshita is destined to become the sole surviving dynast of the entire
Kuru dynasty, Pandavas and Kauravas combined. When he comes of age, the Pandavas (being his grandfather Arjuna and four grand-uncles) anoint him king of their realm and retire to the Himalayas. Subhadra remains behind to guide and mentor her grandson.

Devotions
Subhadra is one of the three deities worshipped at the
Jagannath temple at Puri, along with her brothers Krishna (as Jagannatha) and Balarama (or Balabhadra). One of the chariots in the annual Ratha Yatra is dedicated to her. According to some interpretations, Subhadra is considered an incarnation of Maya.

Rukmini:
The main and chief wife of Krishna and considered an avataar of Lakshmi.

Birth
Princess Rukmini is believed to have been born on Vaisakha 12. Although born of an earthly king, her position as an incarnation of Goddess
Lakshmi is described throughout Vedic literature:
O hero among the Kurus, the Supreme Lord Himself,
Govinda, married King Bhismaka's daughter, Vaidarbhi, who was a direct expansion of the goddess of fortune [Sriyo maatraam]. (Srimad Bhagavatam 10.52.16)
Dvaraka's citizens were overjoyed to see
Krishna, the Lord of all opulence, united with Rukmini, the goddess of fortune [Ramaa]. (SB 10.54.60)
Sri Devi by Her portion took birth in the earth as Rukmini in the family of Bhismaka. (Mahabharata Adi 67.156)
Rukminidevi, the Queen Consort of Sri Krishna is the Swarupa-shakti (mulaprakriti), the essential potency of Krishna (krsnatmika) and She is the Queen of the Divine World (jagatkatri), Dwaraka/Vaikuntha. The Srutis which are closely associated with the narrations of the pastimes of the Vraja-gopis with svayam-rupa Bhagavan Sri Krishna, the Parabrahma, have declared this truth. (Gopala-tapani Upanisad 57)

Marriage
Rukmini was the daughter of
Bhishmaka, the king of Vidarbha. She fell in love with and longed for Krishna, whose virtue, character, charm and greatness she had heard much of. Krishna, likewise fell in love with Rukmini as she was the most sought after, virtuous and beautiful princess on Earth. Rukmini's eldest brother Rukmi though was a friend of evil King Kamsa, who was killed by Krishna, and was set against the marriage.
Rukmini's parents were going to marry Rukmini to
Krishna but Rukmi, her brother strongly opposed and changed Bheeshmaka, their father's mind. Instead, he proposed that she be married to his friend Shishupala, the crown prince of Chedi.
Bheeshmaka gave in but Rukmini, who had overheard the conversation was horrified and immediately sent for a brahman, Sunanda, whom she trusted and asked him to deliver a letter to
Krishna. She asked Krishna to come to Vidarbha and kidnap her to avoid a battle where her relatives may be killed. She suggested that he do this when she was on her way to the temple or back. She asked that he claim her to marry her. She also added that if Krishna refused to comply she would commit suicide. Krishna, having received the message in Dwarka, immediately set out for Vidarbha with Balarama, his brother.
Meanwhile, Shishupala was overjoyed at the news from Rukmi that he could simply go to
Kundina and claim Rukmini. Jarasandha, not so trusting sent all his vassals and allies along because he felt that Krishna would certainly come to snatch Rukmini away.
Bheeshmaka and Rukmini received the news that
Krishna was coming by their respective spies. Bheeshmaka, who secretly approved of Krishna and wished he would take Rukmini away had a furnished mansion set up for him.
He welcomed them joyfully and made them comfortable. Meanwhile, at the palace, Rukmini got ready for her upcoming marriage. She went to the shrine to pray but was severely disappointed when she did not see
Krishna there. Inside the shrine, she prayed to Goddess Parvati that Krishna would arrive and wed her. As she stepped out, she saw Krishna and he soon swept her into his chariot with him. They both started to ride off when Shishupala noticed them. All of Jarasandha's forces quickly started chasing them. While Balarama occupied most of them and held them back Rukmi had almost caught up with Krishna and Rukmini.
Krishna and Rukmi duelled with the inevitable result of Krishna's victory. When Krishna was about to kill him, Rukmini fell at the feet of Krishna and begged that her brother's life be spared. Krishna, generous as always agreed but as punishment, shaved Rukmi's head and let him go free. There was no greater shame for a warrior than a visible sign of defeat.
A few days later at Dwaraka,
Krishna was married to Rukmini with great pomp and ceremony.

Children
The first son of Queen Rukmini was
Pradyumna, and also born of her were Carudesna, Sudesna and the powerful Carudeha, along with Sucaru, Carugupta, Bhadracaru, Carucandra, Vicaru and Caru, the tenth (SB 10.61.8-9). Of them, Pradyumna was the crown prince of Dwaraka.

Satyabhama:
Satyabhama is the beloved third wife of
Hinduism's Lord Krishna, known for her strong will and tantrums.

Marriage
Satyabhama was the daughter of
Satrajit who owned the Syamantaka jewel. Satrajit, who secured the jewel from Surya, and would not part with it even when Krishna the Lord of Dvaraka, asked for it saying it would be safe with him. Shortly thereafter, Prasena, the brother of Satrajit went out hunting wearing the jewel but was killed by a lion. Jambavan. Known for his role in the Ramayana, killed the lion and gave the jewel to his son to play with. When Prasena did not return, Satrajit falsely accused Krishna of killing Prasena for the sake of the jewel.
Krishna, in order to remove the stain on his reputation, set out in search of the jewel and found it in Jambavan's cave, with his child. Jambavan attacked Krishna thinking him to be an intruder who had come to take away the jewel. They fought each other for 28 days, when Jambavan, his whole body terribly weakened from the hammering of Krishna's fists, finally recognised Him as
Rama and surrendered.
I now know You. You are the life in all creatures, virility, grit and strength. You are Vishnu, the Primeval Lord, All-prevailing, the Supreme Lord (of the worlds). (Bhagavata 10.56.26)
As repentance for his having fought Krishna, Jambavan gave Krishna the jewel and also his daughter
Jambavati in marriage. Krishna returned the jewel to Satrajit, who in turn repented for his false accusation. He promptly offered to give Krishna the jewel and his daughter Satyabhama in marriage. Krishna accepted Satyabhama as His wife but did not accept the jewel.

Narakasura's Killing
Narakasura was a demon king, ruling Pragjothishyapur, a southern province in the present day Nepal. He gained a boon from Brahma that he would die only in the hands of a woman. Armed with the boon, he ruled like a despot. Narakasura was infamous for his wicked ruling and high disregard for demigods and women.
Addicted to power, he defeated Lord
Indra, king of demigods, and abducted 16000 women and imprisoned them in his palace. He stole the earrings of Aditi, the heavenly mother goddess, and usurped some of her territory. Aditi was a relative of Satyabhama. When she heard of the Narakasuara's ill treatment of women and his behaviour with Aditi, she was enraged. Satyabhama approached Lord Krishna for permission to wage a war against Narakasura. Krishna not only agreed, but also offered to drive her chariot in the battlefield.
On the day of the war, Satyabhama fought Narakasura bravely, but she was no match to his trained skills. After a few days days, when Narakasura got a chance, he took aim at Krishna, hurting him lightly. Krishna fainted in a preordained divinely plan adopted to empower Satyabhama. Seeing this Satyabhama was furious. She doubled her attack on the demon king and killed him finally. Her victory on Narakasura translated into freedom for all his prisoners and honoring of Aditi. Having rescued the 16000 women, Krishna was compelled to marry them per the customs of the day.
The killing of Narakasura was a victory of good over evil and is celebrated as
Narakachaturdasi by Hindus every year with lot of fun, frolic, and fire works.


Tulabharam (weighing by scale)
The Sri Krishna tulabharam is an incident in the life of Satyabhama, that reveals the extent to which devotion is worth more than material wealth.
Satyabhama prides herself about the love Krishna has for her and her grasp over his heart. Rukmini, Krishna's first queen, on the other hand is a devoted wife, humble in her service of her Lord. Her devotion is her real inner beauty. On one contrived occasion, Rishi
Narada arrives in Dwaraka and in the course of conversation hints to Satyabhama that the love that Krishna exhibits towards her is not all that real and in fact it is Rukmini has the real control over his heart. Unable to bear this, Satyabhama challenges Narada to prove it. Narada, with his way with words, tricks her into accepting a Vrata (ritual) where she has to give Krishna away in charity to Narada and reclaim him by giving the weight of Krishna in wealth. Narada lures her into accepting this vrata by telling her that Krishna’s love to her will increase many folds if she succeeds in performing this Tulabharam. He also instigates her ego by hinting that her wealth may not be sufficient to equal the weight of Krishna. With Satyabhama's ego duly raised, she tells Narada that she can mobilize so much wealth that it is a child’s play for her to outweigh Krishna. Narada warns her that if she is not able to do this, Krishna will become his slave to be done with as he pleases.
The scene is soon set for the vrata. Satyabhama gives Krishna away in charity (
dana) in spite of the other wives’ pleadings. Krishna, always the mischievous cowherd, meekly submits to this drama. After donating Krishna to Narada, Satyabhama arranges for a big scale to be put up and sends with all assurance for her huge treasure of gold and jewellery. All that she has is soon put on the scale, but it doesn’t budge. Narada starts taunting her and threatening her that if she can’t put enough gold or diamonds, he will be forced to auction Krishna as a slave to someone else. Satyabhama swallows her pride and begs all the other wives to give their jewels. They agree out of love for Krishna, it is of no use.
Krishna remains a mute witness to all this drama and rubs salt into the open wounds of Satyabhama’s ego that he has now to become a slave to some cowherd and will have to suffer the separation from his dear wife. Narada suggests to Satyabhama that Rukmini may be able to get her out of the predicament. She finally swallows her pride and appeals to the devoted first wife of Krishna. Rukmini comes and with a prayer to her husband puts a single leaf of the sacred
Tulasi on the scale (tula). Lo and behold, the scales become all at once so heavy that even after removing all the jewels, the scales are weighed down on the side of the Tulasi leaf.
While there are different versions in different texts as to why the weighing was arranged, the story of the
Tulsi leaf placed by Rukmini being worth more in weight than that of Satyabhama's wealth is a common ending. This story is oft repeated to enunciate the significance of Tulsi and how a humble offering to God is greater than any material wealth.

Mira:
All of the other women mentioned above have lived during the age Krishna was alive. They all have seen Krishna, touched him, talked to him and ofcourse loved him so dearly. However, what fascinates me about Mirabai is that her devotion was much more than that of a bhakt, it was that of a lover blindly in love with her beloved-Krishna.

Life story
Many of the details of Mira's life are pieced together from her poetry and the stories later recounted by members of her community.Mira was born in
Merta in Rajasthan to Ratan Singh, the second son of Rao Dudaji, a descendant of Rao Jodhaji Rather, the founder of Jodhpur. Meera's mother died when she was ten years old.During her childhood she given a figurine of Krishna by a wandering saint that she played, sang and always talked with. Her father's elder brother Viram Deo who succeeded to the throne arranged her marriage e at the age of 18 with Prince Bhoj Raj, the eldest son of Rana Sanga of Chittor. This marriage raised Mirabai to a very high social status, as the ruler of Chittor was considered to be the leader of the Hindu princes of Rajputana. However, her great devotion to Lord Krishna did not always endear her to her husband and family. Her love of Krishna was so absorbing she neglected her social and regal responsibilities. She refused to offer worship to the family deity, Durga. She sang and danced in public temples and mingled with members of all castes. Because of this Mirabai suffered great hardship throughout her life. Her husband died a few years after her marriage and she refused to commit sati, a practice of widow self-immolation held in high regard in royal rajput families of the time. In 1527, the Rajputs opposed a Muslim invasion from Afghanistan.Mirabai's father was killed in battle; her father-in-law was wounded in the same battle and died the next year. Mewar got a new child-ruler, who with his mother, made life at the court difficult for Mirabai. In Mira's poems she mentions that her family attempted to kill her twice but that she was miraculously saved both times. These physical hardships became intolerable and after praying to Krishna, she left the palace for good (possibly at the age of 30) and went to the pilgrimage of Mathura, Vrindavana, and finally to Dwarka. Mirabai spent most of her time in prayer and worship of Krishna. She left behind a legacy of many soulful and prayerful songs, which are still sung in India today. Mirabai is widely regarded as a saint in the tradition of the Bhakti Movement. The 16th century Bhakti Movement showed the path to salvation by devotion. Other saints belonging to this culture were Tukaram, Kabir, Guru Nanak, Ramananda.Her love for Krishna is epitomized by the popular belief about her final disappearance in the temple of Krishna in Dwarka. She is believed to have entered the sanctum of the temple in a state of singing ecstacy.The sanctum doors are believed to have closed on their own and when later opened, the sari of Mirabai was seen enwrapped around the idol of lord Krishna, symbolizing the culmination of her union with her lord.

On this auspicious ocasion of Janmashtami, please do remember once in whole day to chant the Maha-mantra, the only mantra that can effectively cleanse anybody in these dark ages of Kali Yuga by just mere chanting of it.


Hare Krishna Hare Krishna
Krishna Krishna Hare Hare
Hare Rama Hare Rama
Rama Rama Hare Hare


Also please find some krishna bhajans from the following link:
Hari tum Haro Jan Ki Peer
Deenan Dukh Haran Deva

This same article with all images can be downloaded from here.

Jai Shree Krishna!

Souvik

Saturday, August 12, 2006

Aradhika and Anugami-Radharani and Mirabai

Dear members,
I am not being able to upload images in blog for a few days so please bear with me and do access the links provided for the image relating to the articles.
Two ladies, two names, two ages but one thing is common in both of them-the passion, the longing, the love, the madness, the pain, the sorrow, the fulfillment, the devotion for only One, their all, their God, their Love-Krishna.
Krishna wouldn't have been Krishna if not for these two women.
Many have written pages about these two women. I will not repeat the same. Almost everyone knows their story but I will just request everyone who reads this article to just listen to two bhajans that are enough to describe the passion of these two outstanding women in Krishna's life.
Radharani:
Image from here & here
File from here
Mirabai:
Image from here & here
File from here
Even in this kali yuga I am almost certain that when you listen to these two bhajans with emotion and bhakti, tears of joy will roll down your cheeks.
Happy listening!
Regards,
Souvik

Tuesday, August 08, 2006

Alochana-Rakshan Bandhan

Dear readers,

Wish you all a very happy Raksha Bandhan Day (Rakhi).

Here are some stories about the origin of this festival.

Enjoy today with loved ones!

Regards,

Souvik

Origins
The origin of the festival is mostly attributed to one of following mythological incidents:
1.
Indra's fight with Vritra - Indra, the king of devtas (gods), had lost his kingdom to the asura (demon) Vritra. At the behest of his Guru Brihaspati, Indra's wife Sachi tied a thread around her husband's wrist to ensure his victory in the upcoming duel.
2.
Draupadi and Krishna during the Rajsuya yagya - After Shishupal's death, Krishna was left with a bleeding finger. Draupadi, the wife of the Pandavas, had torn a strip of silk off her sari and tied it around Krishna's wrist to staunch the flow of blood. Touched by her concern, Krishna had declared himself bound to her by her love. He further promised to repay the debt manifold, and spent the next 25 years of his life doing just that. For all that Draupadi was the daughter of a powerful monarch, sister to a legendary warrior, and wife to five warrior princes, Krishna remained the only man she could ever truly depend on.

History of Raksha bandhan
Rani Karnawati and Emperor Humayun
The ealiest origins of Rakshabandhan in documented history can be traced to the medieval era. During this period the Rajputs were fighting Muslim invasions. Rakhi at that time was a spiritual symbol associated with protection of the sister. History has it that when Queen Karnawati the widow of the then King of Chittor realised that she could in no way defend the invasion of the Sultan of Gujarat, Bahadur Shah, she sent a rakhi to Emperor Humayun. The Emperor touched by the gesture, accepted the rakhi thereby accepting Queen Karnawati as a "sister" and immediately started off with his vast troops to protect Queen Karnavati.


Alexander The Great and King Puru One of the oldest reference to the festival of Rakhi goes back to 300 B.C. At this time Alexander the Great, was invading India. It is said that the great conqueror, King Alexander of Macedonia was shaken by the fury of the Indian king Puru in his first attempt. Upset by this, Alexander's wife, who had heard of the Rakhi festival, approached King Puru. King Puru accepted her as his sister and when the opportunity came during the war, he refrained from fighting Alexander.

The Legend of Raksha bandhan
There are innumerable references to the significance of the Rakhi festival in Hindu mythology.

Vrita-Indra
The origin of this festival is usually traced back to the mythological incidents of Indira's fight with Vritra-Indra that resulted in Indra's (king of the Gods) loss. Then, his wife had tied a thread around his wrist and empowered it with divine powers to make sure Indra emerged victorious in the duel that followed.
Kunti-Abhimanyu
During the battle of Mahabharat, Queen Kunti tied a raksha on her grandson Abhimanyu to protect him in battle.
Krishna and Draupadi
Another incident is the one that concerns Krishna and Draupadi, the wife of Pandavas. She had torn a strip of silk off her sari and tied it around Krishna's wrist to stop the flow of blood Krishna was so touched by her action that he found himself bound to her by love. He promised to repay the debt and then spent the next 25 years doing just that. Draupadi inspite of being married to 5 great warriors and being a daughter of a powerful monarch only trusted and depended wholly on Krishna.
King Bali and Goddess Laxmi
According to another legend Demon King Bali was a great devotee of Lord Vishnu. Lord Vishnu had taken up the task to guard his kingdom leaving his own abode in Vaikunth. Goddess Laxmi wished to be with her lord back in her abode. She went to Bali disguised as a Brahmin woman to seek refuge till her husband came back.
During the Shravan Purnima celebrations, Laxmiji tied the sacred thread to the King. Upon being asked she revealed who she was and why she was there. The king was touched by her goodwill for his family and her purpose and requested the Lord to accompany her. He sacrificed all he had for the Lord and his devoted wife.
Thus the festival is also called Baleva that is Bali Raja's devotion to the Lord.It is said that since then it has been a tradition to invite sisters in Shravan Purnima for the thread tying ceremony or the Raksha Bandhan
Yama and the Yamuna
It is said that the Raksha Bandhan was a ritual followed by Lord Yama (the Lord of Death) and his sister Yamuna. Yamuna tied rakhi to Yama and bestowed immortality. Yama was so moved by the serenity of the occasion that he declared thar whoever gets a rakhi tied from his sister and promised her protection will become immortal.

How is Rakshabandhan celebrated in different parts of India
India is a diverse country with various cultures. While Rakhsabandhan is celebrated pretty much all over the country, different parts of the country celebrate the festival in different ways with a different significance.

Tying of Rakhi
Perhaps the single most important way of celebrating Rakshabandhan is by tying the rakhi. A sister ties a rakhi to the wrist of her brother. The tying of a rakhi signifies her asking of her brother for his protection and love for the sister. The brother is turn, accepts the rakhi, confirms his love and affection for his sister and showers her with gifts and money. It is a family event where all members of family, dressed in all finery, gather and celebrate this event. The tying of rakhi is followed by a family feast.
Rakhi Purnima
Rakhi is celebrated as Rakhi Purnima in North India as well as in parts of Northwest India. The word "Purnima" means a full moon night.
Nariyal Purnima
It western India and parts of Maharashtra, Gujarat, Goa and Karnataka, this day is celebrated as Nariyal Purnima. On this day an offering of a coconut (nariyal) is made to the sea, as a mark of respect to Lord Varun (God of the Sea). Nariyal Purnima marks the beginning of the fishing season and the fisherman, who depend on the sea for a living, make an offering to Lord Varun so that they can reap bountiful fish from the sea.
Avani Avittam / Upakarman
In southers parts of India such as Kerala, Andhra Pradesh, Tamil Nadu and Orissa this day is celebrated by the Brahmin community as Avani Avittam. On this day they change their sacred threads (Janeyu)
Kajari Purnima
In central parts of India such as Madhya Pradesh, Chattisgarh, Jharkand and Bihar this day is celebrated as Kajari Purnima. It is an important day for the farmers and women blessed with a son. On the ninth day after Shravana Amavasya, the preparations of the Kajari festival start. This ninth day is called Kajari Navami. The rituals are performed by the ladies blessed with a son. The rituals continye till the Kajri Purnima or the full moon day.
PavitropanaIn parts of Gujarat this day is celebrated as Pavitropana. On this day people perform the grand pooja or the worship of the three eyed God, Lord Shiva. It is the culmination of the prayers done through out the year.

Amar Prem



"hai aankh woh jo shyam ka darshan kiya karey I

hai sheesh jo prabhu charan mein bandan kiya karey II

bekar woh mukh hai jo rahey byarth batayo mein I

mukh woh hai jo hari naam ka sumiran kiya karey II

hirey moti sey nahi shobha hai haath ki I

hai haath jo bhagwan ka pujan kiya karey II

mar kar bhi amar naam hai us jeev ka jag mein I

prabhu prem mein balidan jo jeevan kiya karey II"

~ Sung by Pankaj Udas

Friday, August 04, 2006

Alochana-Krishna



Dear members,

16th. August, 2006 is Janmashthami.

Just by speaking the name "Krishna", humans can cleanse their sins in Kali Yuga.



What always astonished me about Sri Krishna was his ability to simultaneously exist in different planes and play each role to the fullest.










Krishna, the lover; Krishna, the guide; Krishna, the yogi; Krishna, the master-politician; Krishna, the redeemer; Krishna, the enchanter; Krishna, the savior of women's modesty; Krishna, the husband; Krishna, the brother; Krishna, the friend and the list goes on.







At one point I feel as if all the planets gave selflessly all their qualities to the savior of human souls from the darkness of Kali Yuga.

Sun-leadership, uprightness
Moon-emotion, immense feelings
Mars-an obedient and duty-bound brother
Mercury-an excellent politician and orator
Jupiter-made him a Guru and made his words worshipped in the form of Bhagwat Geeta
Venus-love, looks and an enchanter
Saturn-endurance and patience
Rahu-knowledge of Maya
Ketu-a yogi


"Sree Krishna Govinda Hare Murali,
Hey Nath Narayan Vasudeva
Radhe Krishna Radhe Krishna
Radhe Radhe Krishna Krishna"


Regards,

Souvik

Sunday, July 16, 2006

Anandapurti

(Image from here)
Dear readers,
Sometimes we do things which are beyond logic and reasoning.
The same happened with me today.
I woke up in the morning and felt like posting an article of Maa Mahishashurmurdini, Jagat Janini Maa Durga.
This is the reason I called this posting "Anandapurti".
The picture adjacent is the Durga madala with the Durga Yantra inside it.
It is a very powerful yantra to remove obstacles and win over enemies. This yantra can be worshipped with Durga Beeja mantras during Navratris or Ashtami tithis. However, I would recommend one to do so only after consultation with an experienced astrologer.


The Durga Beeja Mantra is "AING HRING KLEENG CHAMUNDAYE VICHCHEY". This mantra can be prefixed and suffixed by AUM. Also please consult an astrologer before starting the recitation of this mantra.
However, for bhakti for Maa Durga, you need not consult an astrologer. Bhakti is beyond logic and reasoning and if done in the right spirit can be more effective than other rituals.
(Durga Image from here)
Durga saptashati (from here)
Durga Saptashati is a Mantra of 700 verses on the Mother Goddess.It forms a part of the Markandeya Purana, one of the 18 important puranas of Hinduism.
It is also known as Chandi Path, Devi Mahatmyam or just Saptashati. It is considered as a very potent mantra and its is widely read in all devi temples in India and abroad.It is in the form of a conversion between a king,a trader and a saint. This mantra is believed to have several esoteric meanings and interpretations.It is divided into 3 parts , dedicated to the Goddess -
Kali,Lakshmi and Saraswati.
There are have been several saints well versed in the metaphysical interpretations of this Mantra like Sri
Ramakrishna,The Paramacharyal of Kanchi, The Sringeri Acaryals,Sri Venkatesa Battar and several others.
Durga Saptashati is also translated into easy to recite Hindi verses by Dr.M.L.Sharma. Details of his book "Neeras Ki Shri Durga Upasana" can be found at
http://durgasaptashati.discoveryofindia.com
Jai Maa Durga, Durgati nashini!
Regards,
Souvik

Friday, July 07, 2006

Anushthan-Guru Purnima


Dear readers,

11th. July 2006 is Guru Purnima.

Regards,

Souvik

From here.

Guru Purnima is traditionally held to be Bhagawan Vyasa's birthday. According to the Indian calendar IT falls on the 15th of the month of Ashada. Bhagawan Vyasa is called Veda Vyasa - or the Compiler of the Vedas. Bhagawan Vyasa saw that, in the coming yugas, men would be of grosser mind and would lack the ability to learn and retain all of the Vedas. So he compiled the Vedas into four parts - the Rig, Yajur, Sama and Atharva Veda.Furthermore he wrote the Puranas so that the common people could also benefit from the knowledge of the Vedas - he conveyed the same spiritual principles through the medium of stories and parables. He is also the author of the Brahma Sutras - the quintessence of Vedanta. So it is but fitting that his birthday is celebrated as Guru Purnima. What is it that you are supposed to know on this day of Guru Purnima?You must understand that God is in you, with you, around you, above you, below you. In fact, you are God. Recognise this truth in the first instance. Do not entertain excessive desires and become beggars. Do your duty sincerely. That is the true Sadhana. When you are in office, do office work only; do not think of your family matters. Likewise, when you are at home, take care of the needs of your wife and children. Do not make your home an office. But today because of too much work in office, people take office-papers to their homes to complete their work. They are thus facing difficulties because they mix up their office work, household work, business and spiritual matters.

Right from this day, try to reduce your attachment to the world to the extent possible. Be happy and make others happy. Do not hurt anybody. Consider difficulties as passing clouds. You have developed family relationships and there are bound to be some worries. But do not be perturbed by them. When you look at the vast sky, you find many clouds. Likewise, in the sky of your heart there are clouds of attachment. They just come and go. Do not worry about them. What is the shape of worry? It is a mentally created fear. It is the result of your imagination. Every man is bound to encounter difficulties and losses. We should face them with courage. From this day of Guru Purnima, make your hearts sacred. Just as you wave away the mosquitoes that bite you, brush aside any difficulties that assail you. Do not be depressed by sorrow nor be elated by happiness. Develop equanimity and strive to attain Divinity. Today is described as Guru Purnima Day. This is not quite correct. The day got its name because of some gurus who wanted to have an occasion for receiving offerings from their disciples. The right name for this day is Vyasa Purnima.

Vyaasa was born on this full moon day. He completed the codification of the four Vedas on this day. He completed the writing of the eighteen puranas on this day. Owing to the passage of time Vyasa Purnima came to be called Guru Purnima. Serving the GuruAccording to Shvetashvatara Upanishad (6/23) :Yasya deve para bhaktir yatha deve tatha gurau Tasyaite kathitaa hi arthaaha prakashante mahatmanaha Translation:Guru be worshipped in the same manner as the deity - God, to attain all there is to attain on the path of God-realization:

When this Self is within you where is the need to search for someone to teach you? A teacher who teaches others has had a teacher himself. The one who has no Guru above him is the true Guru. The Sanskrit stanza which hails the Guru as Brahma, Vishnu and Maheswara and as Parabrahman is misinterpreted. The right approach is to consider Brahma, Vishnu and Maheswara as the Guru. These three are symbolised by the three gunas: Brahma is Rajas, Vishnu is Sathva and Siva is Thamas. The whole cosmos is constituted by the three gunas. The three gunas are present in man. The trinity are present in the form of the three gunas in every human heart.

Sunday, June 18, 2006

Adi Anadi

"Although Nirguna (formless), I am Saguna (with form) too and the author of dissolution, maintenance and creation. I am the Supreme Brahmn without decay and change. Existence, knowledge and bliss are my characteristics... I manifest myself in the forms of Brahma, Vishnu and Hara."
~Shiva, Rudra Samhita, Shiva Purana
"The seer and the object are like the rope and the snake. Just as the know-ledge of the rope which is the substratum will not arise unless the false knowledge of the illusory serpent goes, so the realisation of the Self which is the substratum will not be gained unless the belief that the world's real is removed."
~Ramana Maharshi
"I am neither death nor doubt. I do not possess the distinction of any species. Neither do I have a father or mother, nor birth. Neither a relative nor a friend, nor a disciple.I am verily the auspiciousness of the form of consciousness-bliss. I am indeterminate, not having any form because (I am) the Lord of all the organs everywhere. I am neither that which is disunited nor liberation nor bondage. I am verily the auspiciousness of the form of consciousness-bliss. "
~Adi Sankara, Nirvanasatkam

Alochana-Some news

Dear readers,
Some news (few unpleasant incidents as well).
Regards,Souvik

1) Lightning strikes idol of Lord Shiva at Murdeshwar (
here), June 18th. 2006
Bhatkal: The 123-foot idol of Lord Shiva at the Murdeshwar, claimed to be Asia’s third biggest, was struck by lightning in the wee hours of Saturday. Later in the evening one of the four hands bearing the small drum broke into pieces. It is understood that on Saturday between 3 and 4 am, lightning struck Bhatkal; the idol, made of cement and steel, was not spared. By Saturday evening one of the hands shattered. As the hand collapsed, tourists ran helter skelter. There was so much debris that it needed a lorry to cart it away. The cement debris fell on an adjoining pipeline, which too broke and water started gushing out. Engineers from Hubli have arrived and are investigating. The sculptor who created the idol Kashinath, from Bangalore, is also expected to arrive. It is learnt that the sculptor had guaranteed that the Shiva idol was lightning-proof and that it would stand for 100 years.

2) Ancient Hindu Temple Damaged in Indonesian Earthquake (
here), June 4th. 2006
Parts of the world famous Prambanan temple complex in Central Java crumbled during last week's 6.3 magnitude earthquake. Archaeologists are assessing damage to the UNESCO World Heritage site, but fear the foundations of the ancient stone structures may be severely weakened.This is the largest temple complex in Indonesia dedicated to the Hindu divinity of Shiva. It has eight main structures and more than 250 smaller ones. The compound underwent extensive reconstruction from 1918 to 1953 and now much of that work has been undone.

3) Man-made Shiva lingam betrays faith at Amarnath caves (
here and here), June 18th.,2006
AMRITSAR/SRINAGAR: It's a story of faith betrayed. Pilgrims braving a dangerous journey to the Amarnath caves this year found to their utter shock that the natural Shiva lingam was missing. In its place was a crude man-made ice stupa that was being passed off as the holy lingam. The shocking discovery has caused widespread outrage with pilgrims accusing the Shri Amarnath Shrine Board of trifling with their faith.

4)Demolition men call on temple (
here), May 18th.,2006
It took more than two hours for the BMC demolition squad to demolish a temple near Vikhroli bus depot on LBS Marg. The Nateshwar temple of Lord Shiva located near the BEST depot on LBS Marg was demolished on Thursday after the civic body had given instruction to take action against illegal shrines and temples obstructing roads and footpaths. The BMC had prepared a new list of around 300 illegal shrines and temples across the city obstructing the road and footpaths, which will be demolished. Assistant Municipal Commissioner from ‘N ward Govind Rathod said, "The demolition was completed peacefully without any untoward incident. There were no protests either from local residents. Seventy personnel attached with the State Reserve Police Force, including senior police officers from the Vikhroli Park Site police stations, were present." Municipal commissioner Johny Joseph said, "We’ve given instruction to ward officers in the city to take action against illegal shrines and temples obstructing road and footpaths."

5)Hindu deity's statue made whole again (
here) May 19th.,2006
PARIS, May 19 (UPI) -- It was as if the 500-year-old headless statue of a Cambodian Hindu goddess at a Paris museum had willed the discovery of her head to become whole again. The museum Musee Guiment is ecstatic over a chance chain of events leading to the restoration of the 15th-century Cambodian masterpiece dedicated to the wife of Hinduism's most revered god Shiva.

6)Local history, Shiva among the nominees (
here) June 11th., 2006
FIVE-FACED LINGAM (EIGHTH CENTURY) God head: The Indian red sandstone lingam illustrates the various aspects of the Hindu god Shiva as the absolute totality, who creates, defines and encompasses the universe. Air sign: The primary image, the youthful Tatpurusa (right), is associated with air. His hairstyle is that of an ascetic: thick, matted locks adorned with a diadem. Water maiden: To the left is the elegant Vamadeva, the goddess associated with water. Not seen: Aghora, or Bhairava, the demonic form of Shiva, who is associated with fire. The fourth face, which has been defaced, depicts Sadyojata, the manifestation of Shiva associated with earth. The creator: The fifth aspect of Shiva, Isana, is not a literal face. It's represented by the curved summit of the phallus. Associated with ether or space, it represents Shiva as creator.

Saturday, June 03, 2006

Aagaman

Image from here
Dear readers,
June 6th., 2006 is Ganga Dashami.
This day Ganga descended to Earth.
Please find a wonderful picture story from here.


Image from
here

Please do accept a small gift from me on this ocassion.
It is wonderful stotra from the "Om 2" album of Swagata Lakshmi Dasgupta.

The file can be downloaded from here
Devi Sureshwari Bhagawati Gangey
Tribhuvana tarini tarala tarangey
Shankara mouli nivasini vimaley
Mamamati rastang taba pada kamaley!!
Jay Maa Ganga!!
~ Souvik


Friday, June 02, 2006

Anada Utsav


(Here)

Celestial wedding in Orissa town Sambalpur (Orissa): Lakhs of people poured into this western Orissa cultural hub to witness the 'celestial wedding' of Lord Shiva and Goddess Parvati today with priests chanting slokas on 'Sital Sashthi'.The 'wedding' took place at three places in the city with the rituals continuing through the night to culminate this morning.As per tradition, couples from different localities in the town don the role of bride Parvati's parents and the barat accompanying the idol of Lord Shiva is taken out with much pomp and ceremony.Sambalpur city has been teeming with large crowds since yesterday as the region celebrated its biggest religious event with hundreds of people arriving to take part in the night-long festivities.But the highpoint of the celebration would be the procession to be taken out tonight when the town would throb to the beats of the 'madal' and a variety of instruments.

(Here)

Celestial wedding
Lakhs of people poured into Sambalpur, Orissa, to witness the 'celestial wedding' of Lord Shiva and Goddess Parvati on Thursday with priests chanting slokas on 'Sital Sashthi'.
The 'wedding' took place at three places in the city with the rituals continuing through the night to culminate this morning. As per tradition, couples from different localities in the town don the role of bride Parvati's parents and the barat accompanying the idol of Lord Shiva is taken out with much pomp and ceremony.
While one barat was taken out from the Balunkeswar temple at Nandapada, the other two processions began from the Loknath temple at Jhaduapada and Jageswar temple in the city. Feasts were thrown by the host couples to celebrate the event in the same fashion as traditional marriages are held. New couples are chosen to be hosts every year. About Rs 23 lakh is spent on the weddings.

Thanks

Souvik

Saturday, May 13, 2006

Advaita, Dvaita and Vishishtadvaita

"Advaita" literally means "not two", and is often called a monistic or non-dualistic system which essentially refers to the indivisibility of the Self (Atman) from the Whole (Brahman). The key texts from which all Vedanta (literally, "end or the goal of the Vedas") texts draw are the Upanishads (twelve or thirteen in particular), which are usually at the end of the Vedas, and the Brahma Sutras (also known as Vedanta Sutras), which in turn discuss the essence of the Upanishads.
Adi Shankara's thoughts in a summary
Adi Shankara's treatises on the Upanishads, the Bhagavad Gita and the Brahma Sutras are his principal and almost undeniably his own works. Although he mostly adhered to traditional means of commenting on the Brahma Sutra, there are a number of original ideas and arguments. He taught that it was only through knowledge and wisdom of nonduality that one could be enlightened.
Shankara's opponents accused him of teaching Buddhism in the garb of Hinduism, because his non-dualistic ideals were a bit radical to contemporary Hindu philosophy. However, it may be noted that while the Later Buddhists arrived at a changeless, deathless, absolute truth after their insightful understanding of the unreality of
samsara, historically Vedantins never liked this idea. Although Advaita also proposes the theory of Maya, explaining the universe as a "trick of a magician", Shankara and his followers see this as a consequence of their basic premise that Brahman is real. Their idea of Maya emerges from their belief in the reality of Brahman, rather than the other way around.
Shankara was a peripatetic orthodox Hindu
monk who traveled the length and breadth of India. The more enthusiastic followers of the Advaita tradition claim that he was chiefly responsible for "driving the Buddhists away". Historically the decline of Buddhism in India is known to have taken place long after Shankara or even Kumarila Bhatta (who according to a legend had "driven the Buddhists away" by defeating them in debates), sometime before the Muslim invasion into Afghanistan (earlier Gandhara).
Although today's most enthusiastic followers of Advaita believe Shankara argued against Buddhists in person, a historical source, the
Madhaviya Shankara Vijayam, indicates that Shankara sought debates with Mimamsa, Samkhya, Nyaya, Vaisheshika and Yoga scholars as keenly as with any Buddhists. In fact his arguments against the Buddhists are quite mild in the Upanishad Bhashyas, while they border on the acrimonious in the Brahma Sutra Bhashya.
The Vishistadvaita and Dvaita schools believed in an ultimately saguna Brahman. They differ passionately with Advaita, and believe that his nirguna Brahman is not different from the Buddhist Sunyata (wholeness or zeroness) — much to the dismay of the Advaita school. A careful study of the Buddhist
Sunyata will show that it is in some ways metaphysically similar as Brahman. Whether Shankara agrees with the Buddhists is not very clear from his commentaries on the Upanishads. His arguments against Buddhism in the Brahma Sutra Bhashyas are more a representation of Vedantic traditional debate with Buddhists than a true representation of his own individual belief. (See link: Shankara's arguments against Buddhism)

Dvaita, a school of
Vedanta (the most widespread Hindu philosophy) founded by Shri Madhvacharya, stresses a strict distinction between God and souls. According to Madhva, souls are not created by God but depend on Him to evolve or transform. Satguru Sivaya Subramuniyaswami explains dualism in his book, Dancing with Siva, by stating that in dualism, God is seen as the efficient cause of the universe and not as the material cause. He is the potter causing the clay to emerge, rather than serving as the source of the clay itself.
Dvaita philosophy
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Ramanuja Shri Madhvacharya espoused a Vaishnava theology that understands Brahman to be endowed with attributes and a personal God, Vishnu. By Brahman, he referred to Vishnu, as per his statement (brahmashabdashcha vishhnaveva) that Brahman can only refer to Vishnu. Madhva states that Vishnu is not just any other deity, but is rather the singular, all-important and supreme one. Vishnu is always the primary object of worship, and all others are regarded as subordinate to Him. The deities and other sentient beings are graded among themselves, with Vayu, the god of life, being the highest, and Vishnu is eternally above them.
Dvaita, or Dualistic philosophy, also known as Bheda-vâda, Tattva-vâda, and Bimba-pratibimba-vâda, is the doctrine propounded by Ananda Tîrtha (also known as Madhvacharya) that asserts that the difference between the individual soul or jîva, and God,(Îshvara or Vishnu), is eternal and real. Actually, this is just one of the five differences that are so stated -- all five differences that constitute the universe are eternal.
The Dvaita doctrine was summarized by Vyasa Tirtha as comprising nine tenets or prameyas.


Vishisthadvaita is a qualified
monism in which God alone exists but admits plurality. By holding such beliefs, Vishisthadvaita is midway between Advaita and Dvaita. The book, "All about Hinduism" by Swami Sivananda discusses aspects of Vishisthadvaita, a theological school whose most important proponent was Ramanuja.
The Philosophy
In more specific terms Vishishtadvaita conclusions may be briefly summarised as below.
The Absolute Supreme Reality referred to as
Brahman, is a Transcendent Personality with infinite superlative qualities. He is Lord Vishnu, also known as Narayana. He creates the other two members of the Trimurti, namely, Creator Brahma and Shiva, the Lord of Deluge.
Narayana is the Absolute God. The Soul and the Universe are only parts of this Absolute and hence, Vishishtadvaita is
panentheistic. The relationship of God to the Soul and the Universe is like the relationship of the Soul of Man to the body of Man. Individual souls are only parts of Brahman. God, Soul and Universe together form an inseparable unity which is one and has no second. This is the non-duality part.
Matter and Souls inhere in that Ultimate Reality as attributes to a substance. This is the qualification part of the non-duality.
Souls and Matter are only the body of God. Creation is a real act of God. It is the expansion of intelligence. Matter is fundamentally real and undergoes real revelation. The Soul is a higher mode than Matter, because it is conscious. It is also eternally real and eternally distinct. Final release, that comes, by the Lord's
Grace, after the death of the body is a Communion with God. This philosophy believes in liberation through one's Karmas (actions) in accordiance with the Vedas, the Varna (caste or class) system and the four Ashramas (stages of life), along with intense devotion to Vishnu. Individual Souls retain their separate identities even after moksha. They live in Fellowship with God either serving Him or meditating on Him. The philosophy of this school is SriVaishnavism, a branch of Vaishnavism.
The succession of great Master-Expositors and spiritual giants of Vishishtadvaita school starts with the twelve
Alwars, who left behind an imperishable legacy of Tamil devotional poetry in the form of 4000 songs, now called the Nalayira-prabandham.

Alochana-Deity, God or something more



Dear readers,

God is a hot topic around specially due to the recent burning controversy over the yet to release film "Da Vinci Code".

In this situation I would surely like to add my thoughts on this topic.

And ofcourse, my respect to the complete womankind on "Mother's Day".

Have fun!

Souvik

Who is Shiva? Did he live in flesh and blood on Earth? Was he an invading Alien who like a few other fellow astronauts (Vishnu , Brahma etc.) planned to help humans and then left back to his planet? Or is he God as we the Hindus believe and lives on Kailash mountain? Or is this whole God episode much bigger than this? Or was it the politics of the Aryan to include a Dravidian God?

Much more ideas crossed my mind when I sat to write this article. Some of them will be irrelevant here and some too technical but the conclusion is that the end still remains inconclusive and it will till eternity (or atleast I would think it should).

However, my point here is above all these. My point can co-exist with each of these theories. My point is that there is no need to debate over what history is and whether or not it is true, my point is that to all questions lie just one answer-the answer of faith.

If we believe in something and that belief is strong enough to give us some "miraculous" force in life, then it does not matter if there is truth (I mean historical) in that belief.

I have always said that Shiva is much more than kailash-vasi damrudhari Shiv, much more than Sada Shiva who spoke the vedas.

Shiva is us.

When we talk of deities then we can perceive the same Shiva in different forms-each being a deity-Rudra, Umashankar, Mahakaal, Nilakantha, Sarbeshwar.

When we talk of God-we mean Shiva as God. Shiva as the Almighty.

But in both the cases we separate Shiva from us and thus when any individual says something that shakes the foundation of His (Shiva's) existence, we rage up with anger, become sorrowful or critical of that individual or group.

Now if we remove that separation of Him being separate from us, this whole concept dissapears.

If every Hindu thinks himself to be a God (Hindu deity) then can any such criticism hit us?

If someone claims that there was no historical or archelogical evidence of Rama, the Rama bhakt will have laugh and say "So you mean I donot exist"?

Religion and beliefs can never be fought to defend. They are much superior than any one's claim.

I hope the church realises that Jesus himself said "The temple of God is within".

Regards,

Souvik

Sunday, May 07, 2006

Alochana-Nudity in religious paintings

Dear readers,
Nudity in religious paintings is a controversial topic.
This is what one of the controversial artists, MF Husain, has to say.
Please do post your views.
Thanks
Souvik
Link is from here.
Here nudity is not nakedness
M F Husain Sunday, May 07, 2006 01:50 IST

We Indians are proud to create a civilisation of art and culture, enshrined in the sanctity of the Ajanta and Ellora caves and temples for the last 5,000 years. Here the goddesses are pure and uncovered. Here the nudity is not nakedness, it’s a form of innocence and maturity. Take the monumental form of Mahaveera and the carvings of Khajuraho. They evoke spirituality.
We, the Indian painters of significance, are the direct descendants of that golden era of great vision which transcends mundane reality into eternity.

The ultimate presence of Shiva-Parvati exists in cosmic space not hedged in by boundaries of the tiny planet called Earth. Michelangelo’s Pieta, in marble, is a masterpiece in recreating reality but Shiva-Parvati in bronze go beyond reality.

For the last 50 years, an enlightened body of Indian painters has been engaged in reconnecting the reality of the ancient cultural heritage to our time. As in every human endeavour, Faith is at the core of it all. With great care and reverence for all faiths, the Indian sub-continent has evolved a unique secular culture.

I am a humble contributor towards the creation of a great Indian composite culture. I would like to pinpoint certain factors of my 70-year-long journey as a painter. A childhood fascination for the white horse of the Muharram duldul. And the Ashwamedha horse of Luv-Kush.
A panel on Indian village life titled Zameen at the Museum of Modern Art in New Delhi.
About 150 works painted on the versions of the Ramayana by Valmiki and Tulsidas, for a foundation in Hyderabad. Dr Dharamvir Bharati published this series under the title of Husain’s Ramayana.

29 works on the Mahabharat exhibited along with Picasso in Brazil in 1971. Painted Teorema, nine panels depicting various faiths including Buddhism, Hinduism, Islam, Sikhism, Jainism, Christianity and Zoroastrianism. These panels were exhibited at the UN in New York.

Aanga Vadya


What instrument comes closest to the human voice? In the West, most people would say the cello, the violin or the guitar.
In India, traditionalists maintain it's the sarangi, a stringed instrument with a squat body and a soundboard of goat skin, played with a bow.
Sarangi is believed to mean "a hundred colours," reflecting its stylistic adaptability and huge emotional palette. But there is a good reason why this extraordinary instrument is rarely heard.
"The challenge is to be able to play it in tune," says Sultan Khan, a sarangi master. "This is not easy, because apart from the three main strings made of gut, there are 36 sympathetic strings made of metal. This gives the sarangi a built-in resonance chamber, and the sympathetic strings can be heard clearly. It becomes very obvious if the musician is out of tune."
Khan, originally from Rajasthan and now living in Mumbai, is a ninth-generation sarangi player who began learning the instrument at the age of 3. He comes to Vancouver with tabla legend Zakir Hussain's Masters of Percussion. The program features several virtuosic Indian artists, including dancing-drummers from Manipur.
Khan remained primarily an instrumentalist until a few years ago. Filmmaker Sanjay Leela Bhansali asked him to sing for one of his Bollywood movies. Soon after, Khan hit major commercial success with the resulting album, Piya Basanti.
"Since sarangi is the instrument used to accompany vocal music, many players have also become singers. In the concert, I will also be doing a vocal piece based on either a bhajan [Hindu devotional song] or a folk melody."

In one sense, Khan is returning to the roots of the sarangi -- the mythical ones, anyway. "It traces its origin to Ravana, a great worshipper of Lord Shiva. He is said to have made the instrument with strings from his own veins in order to sing hymns in praise of Lord Shiva."

Aakaar

From here
Ignorance dwarfs Asia’s largest Shiva Linga
Friday May 5 2006 11:35 IST
BALASORE: No travel or tourism website features it. No popular history book mentions Baba Bhusandeswar, claimed to be the largest Shiva Linga of Asia, which is being worshipped for years in a remote village in the district.Though nestled in dense forest, it has been drawing people from the State and outside for their belief in its miraculous prowess. On the banks of the river Subarnarekha in Kumbhirgadi village of Bhogarai block stands the unique Shiva Linga, named Bhusandeswar for its sheer size. Carved out of black granite, only half of the 12-foot linga is visible. The rest of it has remained buried for years.
Legend has it that Lord Shiva granted demon King Ravana the atmalinga after he invoked the deity for days. Afraid that he would misuse its divine power, other deities sent Lord Ganesh to snatch it away. And offering to hold it while Ravana quenched his thirst during his journey to Lanka with the linga, Ganesh placed it on the ground. As per Lord Shiva’s warning, it did not budge when Ravana tried to remove it. It only grew in size as he tried to uproot it. He stopped after Lord Shiva asked him to let it stay at the place. And that place happened to be Kumbhirgadi. But historians maintain that the linga was being carried on a ship and broke when it docked in the district. It could not be removed because of its size. For centuries it lay eight feet below the ground. Sukhal Jayram, a businessman of Jaleswar, attempted to pull it by crane in 1964, but the linga is still a little tilted.Despite its uniqueness, the linga was being worshipped in a thatched hut until the then MP of Balasore Kartikeswar Patra constructed a temple in 1984. But the dilapidated approach road has been an obstacle for tourists and devotees who flock during Shivaratri, Bisuva Sankranti and Chadak Jatra.Though the road work under Pradhan Mantri Gram Sadak Yojana connecting the temple is in progress, funds crunch comes in the way of performing temple rituals. Meanwhile, locals have pinned hopes on Balasore MP Kharabela Swain who has sought funds from the Centre for its development. Balasore district administration has also mooted a plan to develop it along with Talasari, Chandipur beaches and Panchalingeswar Shiva peetha.

Alochana-FAQs


Dear readers,

some FAQs on Shiva...

Thanks

Souvik


1) Why girls will pray to Lord Shiva for a husband?

Shiva rules Hara Sthana of human life-i.e astrologically, the 7th. House of the natal horoscope. Shiva is all about union. Shiva Ratri a "family" worship. Shiva ALWAYS worshipped with Shakti .

In Indian itihaas, Mahabharata, Draupadi (in the previous incarnation) worshipped Shiva to get a husband like Shiva (Panchamukhi). No one human can have all the great five tattwas in exact balance like Shiva, so Draupadi landed up having five husbands.

Bengali girls fast on this day to get a husband like Shiva.

Wouldn't a girl want a husband who is shava (corpse) without her? Shiva is the epitome of love? It is Shiva's selfless love that makes everyone want him as their "swamy" (master).

Can there be ANYONE so selfless, so loving as Shiva.

When one reaches a level of Bhakti, he/she becomes Parvati, Shiva cannot live without that soul.

2) What is specific name of Lord Shiva as a teacher?

Dakshinamurty. Teaches by mauna (silence). The soul knows all the answers. Shiva is all about discovering the soul.

3) Where can I find any pastimes of Lord Shiva as a young adult?

There is no Shiva when there is no Shakti. We all know the stories of Shiva from time of Sati's penance till Vishnu using the sudarshan to cut Sati's corpse into Shakti peeths.

We donot hear about what happened from then and till the time Parvati started her penance.

We only know Shiva was in mahasamadhi. There can be NO tales of Shiva before adulthood because Shakti-Shiva = Shava (corpse).

The story of birth of Rudra from the forehead of Brahma is symbolic of ignorance of man.